I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about. For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.
Sibilla Fenoglio wants nothing more than to live with her husband in this run-down, derelict watermill. Uninhabited since the Renaissance after a mysterious disaster befell the previous owners, the mill requires extensive repairs.
But there is something frightening about the mill. Repairs are violently undone, half-seen figures begin stalking Sibilla through the grounds, and haunting echoes of the previous owners’ lives infiltrate the present. As the disturbances grow more vicious and her husband more secretive, she realizes that she and her child are in danger.
This book is a unique take on the haunted house trope that is just so striking. It has genuinely frightening scenes that don’t depend on anything but tension and careful pacing.
Sarah Waters’ writing is always a gut-punch of beauty but this novel, in particular, has roamed around my head for years. It’s so masterfully written. I feel like I’ve seen the house, lived in it, loved it just like the protagonist.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
The vivid, lush descriptions in this book bring the titular hacienda to roaring life.
Although initially I was drawn in by the comparisons with Rebecca, this novel is its own thing. It brings in folk beliefs as well as thoughts on colonialism, all within the hacienda’s oppressive yet intoxicating atmosphere. It’s what you look for in a Gothic horror novel.
Mexican Gothic meets Rebecca in this debut supernatural suspense novel, set in the aftermath of the Mexican War of Independence, about a remote house, a sinister haunting, and the woman pulled into their clutches...
During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost.
But Hacienda San Isidro is not the sanctuary she imagined.
There’s no list I can create in my head about haunting locations that doesn’t include this book. One of the most interesting aspects of horror novels that take place in a vivid setting is that they draw you in and both make you wish you could visit the location while at the same time thanking all that’s good and holy that you’re not there. That’s what The Shining did for me when I read it.
The Overlook hotel is larger than life, treacherous, and inviting, and King does an incredible job at maintaining the high-pitched hum of tension from the moment the Torrances walk through its doors.
#1 NEW YORK TIMES BESTSELLER • Before Doctor Sleep, there was The Shining, a classic of modern American horror from the undisputed master, Stephen King.
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around…
The novel’s prose is breathtaking. Jackson tells us from the start that Hill House is not sane and that sets the tone for the unraveling of the other characters’ minds.
For me, one of the best things about the novel is that it gives the reader space to create their own horrors. Nothing is explicitly stated and that makes it all the more frightening. Add to that an unreliable narrator and this novel captured my mind from the moment I read it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
This is a book as sprawling and twisting as the house in question. It’s one people love or hate, or love to hate, but for me, it was an immersive and chilling experience. The idea that a house can grow around you, that you can get trapped and lost within it, is horrifying and yet so attractive. This is one of those novels that gives you those “someone’s behind me” chills until you’re just one huge shivering mass.
The story and the way that the author tells the story is unsettling in every sense. You never know fully what’s coming. What’ll appear on the next page or the next corridor.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime.
As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Western history. Call Me Stan is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love.
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He’s been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's…
